https://paperbridgeee.info paperbridgeee Sat, 22 Aug 2020 23:16:39 +0000 https://paperbridgeee.info en https://paperbridgeee.info/Wet-Floor-Sign Mon, 04 May 2020 21:56:54 +0000 paperbridgeee https://paperbridgeee.info/Wet-Floor-Sign HOW MUCH WET FLOOR SIGNS ARE ENOUGH?I began to look at objects around me in the “flipped” perspective that had not been considered by me instinctively in the past. Starting with photos as containers for the oh-so-cliché subject matter of memories, events and space, matters that are in and out of frames;&nbsp; to the container of liquids being towels and dishcloths other than the traditional water bottles and other common kitchen utensils. Such actions had prompted me to study the yellow wet floor sign that is commonly seen, shown, and use across different institutional and commercial settings in different countries and cities with their own twist on the wet floor signs. What is a wet floor sign? According to excepts of Steven Di Pilla’s guide on Slip and Fall Prevention (↳1) available online and wet floor sign patents (↳2), it is abstractly constructed of two substantially similar panels and an engaged slidable locking bar that claims to be a generally flat front panel designed to maintain a structure in an expanded or closed position to stand upright to signal its message. The collapse of the sign would signify the non-active action of the sign while deploying the sign by pressing downward on the locking bar of the object’s structure would subsequently activate the board /purpose of the wet floor sign.It is designed in a way where both the representational image of a slipping figure logo and the words of “CAUTION”, “WET FLOOR” (↳3) are printed to suit the purpose of users across the different age range, heights, background, sight ranges, reading abilities and colour-reading ability. It is an indication of that the area near the sign is “contaminated” and requires attention and caution when proceeding or when the audience is moving around the affected area. Going back to the relation of the wet floor sign and space, I can’t help but wonder, how many wet floor signs are enough? Both surprisingly and unsurprisingly, Googling “how much wet floor signs are enough” and “how much”+”wet floor signs”+”enough”+”proportions” had not provided me with answers to the questions I am asking. (↳4+5)&nbsp;Are there laws regulating the proportion of wet floors in relation to the amount of wet floor signs that should be placed around it?(↳6)&nbsp;What is the appropriate and sensible non-abstract distance imposed when regulating identical wet floor signs used for the same matter of wet surfaces? Will the regulations be different when the subjecting wet surfaces are of different materials with different porous levels (i.e. rugs, tiles, concrete floor, etc.)? Will the regulations be different when the subjecting wet surfaces are placed in different environments, particularly but not limited to, outdoor spaces in a humid coastal area on a gloomy and rainy day versus an air-conditioning-supplied room in a relatively non-humid city? In a blog article written by Melbourne-based publishers, Portner Press, Jeff Salton introduced a lawsuit case that was filed and declined by The Court of Appeal in the Supreme Court of New South Wales. The report filed was in pledged to the tavern cleaners to not having to pay the medical costs of estimated $92,577 USD (↳7) for a McDonald’s worker who slipped, fell and injured herself on a floor left wet by one of the cleaner’s employees.(↳8) At trial, Ms Muller, the plaintiff, gave evidence which the primary judge accepted, that following her slip-and-fell injury, she noticed that the floor surface was wet where she was laying, and the water extended “a bit down the corridor”. Kellys, the cleaning staff, pointed to the absence of any express contractual obligation to place ‘wet floor’ signs near the area being cleaned, except where a spill was being mopped in her contract. However, the primary judge on the case found the usual system of cleaning the tavern to be to clean in sections and that those sections should be delineated and distinguished by the placement of signs. The primary judge on the case had also pointed out that given Kellys’ specialist skills in the area of cleaning, she should have been aware of the moisture deposited on the floor where Ms Muller had fallen. In the dismissed appeal, it was determined that the plaintiff had fallen and slipped because she did not see the wet floor signs that should have been present except for the ones placed in between the toilets. It was also argued that the appearance of the floor tiles was not contrasting enough for one to register its apparent wetness and that the placement of furniture (chairs and tables) in the said area had failed to accommodate the potential risks. (↳9) The Court determined that Kellys had failed to demonstrate her argument to the jury in that Ms Muller should have been aware of her own behaviour and act reasonably around the (wet) floor where she slipped and injured herself around. The appeal having failed, and hence the failing of dismissing charge. What the writer of the blog article then raised an issue in conjunction with the discussion of the case was that, how do you protect a “high-risk” area at present? While we have a duty(↳10) of care for our co-workers, workers and visitors to make sure the workplace is safe before, during and after cleaning services takes place, how much responsibility should be imposed on the visitors’ behalf? (↳11) While the question of legitimate definitions of wet floor signs’ measurements, distances, and quantity is still undefined, there is enough evidence (↳12) that there is a loophole as well as a gap in the apparatus of usage in wet floor signs. Much akin to the way spaces such as playgrounds and food courts are framed commonly with additional infrastructures as indicators of their perimeters, the boundaries of floors in transition into a wet floor is uncared for. The immediateness of the floor status transition and the spontaneity of its transformation and timeliness to the duration amongst many other possible reasons had caused the defiance and indifference on the matter to reduce into a handy, portable wet floor sign. The lack of further assistance/ alliances to the now-existing wet floor signs had not solved the issue of the (often-)sudden inconvenience brought by the transformation from dry floor to wet floor brought upon the common population. We often have to use our own judgement in conjunction with our sight’s capability to determine the indicated wet floor’s accurate location in relation to the supposedly-placed wet floor signs. The invention of wet floor signs had not eliminated the confusion of perimeters of wet floors in the way other additional framing infrastructures would to spaces and areas. Hence, the question of how many wet floor signs are enough is still unresolved. ↳1: Pilla, Steven Di. Slip and Fall Prevention: A Practical Handbook. Boca Raton, Lewis, 2003.) ↳2: “United States Patent: 7013590.” USPTO Patent Full-Text and Image Database, United States Patent and Trademark Office.↳3: Each catered to the applicable language of the country and environment in use of the signs. ↳4:You will find that upon the end of reading this write-up of mine, I still will not have an answer for you just yet.↳5: But I will begin with an attempt of doing so.↳6: No, there isn’t.↳7: The figure awarded to the injured worker was $117,918 AUD, $92,577USD is the estimated conversion of the original amount according to currency converter engines used on 27 Sept. 2017.↳8: Salton, Jeff. Health &amp; Safety Handbook.↳9: see ↳10.↳10: Assembly a worker at a certain business as his target article audience indicated.↳11: To specify, the responsibility of a business, in this case, is to place wet floor signs reasonably and sufficiently.↳12: In my opinion. References Georg Simmels. Bridge and Door.” Qualitative Sociology, vol. 17, no. 4, 1994, pp. 397–413. Pilla, Steven Di. Slip and Fall Prevention: A Practical Handbook. Boca Raton, Lewis, 2003. Salton, Jeff. Health &amp; Safety Handbook. Sofia, Zoë. “Container Technology.” Hypatia, Inc., vol. 15, no. 2, 30 Oct. 2011, pp. 181–201. JSTORE.“United States Patent: 7013590.” USPTO Patent Full-Text and Image Database, United States Patent and Trademark Office.Wet Floor Sign Patents, Google.com. https://paperbridgeee.info/wei-intro Sun, 03 May 2020 23:32:26 +0000 paperbridgeee https://paperbridgeee.info/wei-intro 喂，Wei。PRINTED COPIES COMING SOON in 2025-6...hopefully https://paperbridgeee.info/poopy-poop Mon, 04 May 2020 00:21:35 +0000 paperbridgeee https://paperbridgeee.info/poopy-poop HOW MUCH POOP WOULD A POOPY POOP POOP IF A POOPY POOP WOULD POOP POOP? you are my little piece of shit <img width="2689" height="1937" width_o="2689" height_o="1937" data-src="https://freight.cargo.site/t/original/i/91aa420b496f5143bbb4255b0f371a394060baef72a78e68bac044e9a1d61170/poopsdraft.jpg" data-mid="69543107" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/91aa420b496f5143bbb4255b0f371a394060baef72a78e68bac044e9a1d61170/poopsdraft.jpg" /> <img width="3648" height="4707" width_o="3648" height_o="4707" 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height="75" width_o="2313" height_o="75" data-src="https://freight.cargo.site/t/original/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" data-mid="80432876" border="0" src="https://freight.cargo.site/w/1000/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" /><img width="2313" height="75" width_o="2313" height_o="75" data-src="https://freight.cargo.site/t/original/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" data-mid="80432876" border="0" src="https://freight.cargo.site/w/1000/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" /><img width="2313" height="75" width_o="2313" height_o="75" data-src="https://freight.cargo.site/t/original/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" data-mid="80432876" border="0" src="https://freight.cargo.site/w/1000/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" /><img 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data-src="https://freight.cargo.site/t/original/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" data-mid="80432876" border="0" src="https://freight.cargo.site/w/1000/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" /><img width="2313" height="75" width_o="2313" height_o="75" data-src="https://freight.cargo.site/t/original/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" data-mid="80432876" border="0" src="https://freight.cargo.site/w/1000/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" /><img width="2313" height="75" width_o="2313" height_o="75" data-src="https://freight.cargo.site/t/original/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" data-mid="80432876" border="0" src="https://freight.cargo.site/w/1000/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" /><img width="2313" height="75" width_o="2313" height_o="75" data-src="https://freight.cargo.site/t/original/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" data-mid="80432876" border="0" src="https://freight.cargo.site/w/1000/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" /><img width="2313" height="75" width_o="2313" height_o="75" data-src="https://freight.cargo.site/t/original/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" data-mid="80432876" border="0" src="https://freight.cargo.site/w/1000/i/6bce49d51d3fb25ce8e2cefbb24b279514be64b0ddad96c1e4218722de3c83dc/sin_03.gif" /> https://paperbridgeee.info/Before-Frying Sun, 03 May 2020 22:57:10 +0000 paperbridgeee https://paperbridgeee.info/Before-Frying <img width="2736" height="1824" width_o="2736" height_o="1824" data-src="https://freight.cargo.site/t/original/i/6a55411e672c89e7bf6c3e8b2d3f599061b4253b0796e99caa159a09e8b31399/chickenjpeg.jpg" data-mid="69527688" border="0" alt="Before Frying, movie scene recreation" data-caption="Before Frying, movie scene recreation" src="https://freight.cargo.site/w/1000/i/6a55411e672c89e7bf6c3e8b2d3f599061b4253b0796e99caa159a09e8b31399/chickenjpeg.jpg" />Before Frying, movie scene recreation, archival digital print BURGWAKBURGWWAAKKKKKKKKKKKKK<img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/02e5d5bf0e12909dad0b2b4fcc519b13bde3d25108db83f60d5b9c7ecb0e25e0/3.jpg" data-mid="69527709" border="0" data-icon-mode alt="REFERENCE: &copy; Chicken Run. Dir. Peter Lord and Nick Park. DreamWorks Animation, 2000. Film." data-caption="REFERENCE: © Chicken Run. Dir. Peter Lord and Nick Park. DreamWorks Animation, 2000. Film." src="https://freight.cargo.site/w/1000/i/02e5d5bf0e12909dad0b2b4fcc519b13bde3d25108db83f60d5b9c7ecb0e25e0/3.jpg" />REFERENCE: © Chicken Run. Dir. Peter Lord and Nick Park. DreamWorks Animation, 2000. Film. BURGWAKBURGWWAAKKKKKKKKKKKKK BEFORE FRYING chickens purchased at︎︎︎ https://paperbridgeee.info/IDLYLIDY Mon, 04 May 2020 20:17:28 +0000 paperbridgeee https://paperbridgeee.info/IDLYLIDY I DON’T LOVE YOU LIKE I DID YESTERDAY <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/2566ce2cb97a0c1fba491c734e77a924546701bd0c4a918654f93208d874f6db/20160228-_MGL5322.jpg" data-mid="69644859" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/2566ce2cb97a0c1fba491c734e77a924546701bd0c4a918654f93208d874f6db/20160228-_MGL5322.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/2fce3a82057bae69e28c421b87f014d84de2d1f3647a58fa65e178fa8de1954d/20160228-_MGL5323.jpg" data-mid="69644861" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/2fce3a82057bae69e28c421b87f014d84de2d1f3647a58fa65e178fa8de1954d/20160228-_MGL5323.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/1a9e5eaf14511dd49488b524cce404a756b0bb67673eec59159430289b91117e/20160228-_MGL5325.jpg" data-mid="69644862" border="0" src="https://freight.cargo.site/w/1000/i/1a9e5eaf14511dd49488b524cce404a756b0bb67673eec59159430289b91117e/20160228-_MGL5325.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/2391aaeadcaeb9ffa30358b218ff14f438e8f74a632b885583da7fce41c21bea/20160301-_MGL5345.jpg" data-mid="69644863" border="0" src="https://freight.cargo.site/w/1000/i/2391aaeadcaeb9ffa30358b218ff14f438e8f74a632b885583da7fce41c21bea/20160301-_MGL5345.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/4ab7a6fa106a854d7e5e36484799fd5c388d81c77aae65a1dba45afbefb4d1a6/20160301-_MGL5371.jpg" data-mid="69644865" border="0" src="https://freight.cargo.site/w/1000/i/4ab7a6fa106a854d7e5e36484799fd5c388d81c77aae65a1dba45afbefb4d1a6/20160301-_MGL5371.jpg" /> embroidery on vinyl, 2016Composed of 1,421 embroidered words, IDLYLIDY documented the end of a relationship with both confrontational and confessional narratives from the two individuals as they mark their last conversation with each other. https://paperbridgeee.info/O0O Thu, 07 May 2020 21:14:25 +0000 paperbridgeee https://paperbridgeee.info/O0O O0O (Egg) <img width="1500" height="1200" width_o="1500" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f04bd715e89d186140644dfd074d089318beb0cd28252941ef609b33569595f2/egg_01-04_WEB.jpg" data-mid="70110649" border="0" src="https://freight.cargo.site/w/1000/i/f04bd715e89d186140644dfd074d089318beb0cd28252941ef609b33569595f2/egg_01-04_WEB.jpg" /> <img width="1500" height="1200" width_o="1500" height_o="1200" data-src="https://freight.cargo.site/t/original/i/23af1a4770d6d910bb51f147449830078d62bbaf0bd9c11178c177e6a778bcee/egg_02-04_WEB.jpg" data-mid="70110650" border="0" src="https://freight.cargo.site/w/1000/i/23af1a4770d6d910bb51f147449830078d62bbaf0bd9c11178c177e6a778bcee/egg_02-04_WEB.jpg" /> <img width="1500" height="1200" width_o="1500" height_o="1200" data-src="https://freight.cargo.site/t/original/i/370a8e8d535c4822125ecadade0a9c6391165709ce431d4f8aa69e5a8074c993/egg_03-04_WEB.jpg" data-mid="70110651" border="0" src="https://freight.cargo.site/w/1000/i/370a8e8d535c4822125ecadade0a9c6391165709ce431d4f8aa69e5a8074c993/egg_03-04_WEB.jpg" /> <img width="1500" height="1200" width_o="1500" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f2acb7a4d54fa1b331d7cacbcdb0dc25f90dce3037babd31aaa75f6d309e6e3b/egg_04-04_WEB.jpg" data-mid="70110652" border="0" src="https://freight.cargo.site/w/1000/i/f2acb7a4d54fa1b331d7cacbcdb0dc25f90dce3037babd31aaa75f6d309e6e3b/egg_04-04_WEB.jpg" /> 24” x 42” x 40” cotton, plastic https://paperbridgeee.info/vest-toilet Sun, 03 May 2020 23:47:24 +0000 paperbridgeee https://paperbridgeee.info/vest-toilet <img width="3027" height="3494" width_o="3027" height_o="3494" data-src="https://freight.cargo.site/t/original/i/3bebb09c163719754b42a7924745d4444693c1a1bdf82094698f80effb8dfe43/underwearnologo.gif" data-mid="69531423" border="0" data-scale="44" data-no-zoom data-draggable src="https://freight.cargo.site/w/1000/i/3bebb09c163719754b42a7924745d4444693c1a1bdf82094698f80effb8dfe43/underwearnologo.gif" /> 29" x 19" x 18" Screen Printing on Fabric, Fabric, Stuffing, Toilet Tank Lever Thinking about translatable pathways across genders and nationalities, ages and cultures; I landed on using a toilet bowl as the object of symbol that is universally known, reachable, and shares a mutual function across borders. It is the place we perform the ritualistic funeral of our intakes’ remains, the “heaven’s door” our poop goes through, if God exists. Using the form of sculpture, the easily omitted and seemingly slightly obscene channel of sending the corpse of our food out to disposal has now been transformed into something tangible and kneadable. <img width="1512" height="2591" width_o="1512" height_o="2591" data-src="https://freight.cargo.site/t/original/i/86344bc0209bd817ab4d77855e0e4ca0e3ce6b734dd63cb206e9ba35103cdfbc/toilet_open.png" data-mid="80431155" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/86344bc0209bd817ab4d77855e0e4ca0e3ce6b734dd63cb206e9ba35103cdfbc/toilet_open.png" /> https://paperbridgeee.info/manifestea Wed, 19 Aug 2020 22:42:29 +0000 paperbridgeee https://paperbridgeee.info/manifestea manifestea Manifestea approaches tea as a common yet plural point of entry into the grey zones of decolonial action and imagination. To consider the homogeneous representation of tea as it has persisted in postcoloniality, we deep-dive into the process of a colonialoscopy; how does tea address various historical and contemporary practices of hegemony, erasure and assimilation? Here, tea harnesses its past and current encounters with empire and capital without re-entrenching its traumatic afterlives. Instead, it extends a fluid platform for democratic and intersectional participation in dissent. As an experimental collective, Manifestea proposes a tea-rapeutic space that connects diverse yet closely tied global experiences of systemic and direct violences in relation to their local sites of resistance. In its current, emergent form, Manifestea does not presume to fully, critically engage every social, cultural, economic, personal and political dimension of tea. Our interventions around tea remain speculative and particularly welcome to challenge and renewal. An open-ended exploration very much in the gestation period, we tentatively and tenderly map and archive the bodies, geographies and knowledges that shape the colonial circulations and legacies of tea as a commons.We exercise our right to assembly and to assemble a body of collaborative and multiple knowledges, an antibody that in turn defends and upholds the power of the multitude. You are invited to reclaim ownership of the information we often receive and take for granted from the innocuous little tag dangling at the ends of any regular teabag. In any language or form you prefer, you are empowered to rename and rewrite the story of your tea and your struggle from the lens of a cause that truly matters to you, one that you have taken action on or will rise up for. As an alternative mode of continuous and caring protest against specific issues of concern, Manifestea works to make visible and actionable distinct perspectives of the oppressed that transform the scope and nature of decolonization at every turn. Where community participants can now bring their own visions and plans for decolonial justice along with a cup for tea, Manifestea seeks to perform the reparative and restorative potentials of tea as a means toward collective agency and inclusion. This project is a result of a workshop led by Sampson Wong on October 13th, 2017, on crowd creation, the afterlives of protest objects and the occupation of public space in and beyond the 2014 pro-democracy protests in Hong Kong.Co-presented by the Departments of Architecture, Interior Architecture, and Designed Objects, Art History, Theory &amp; Criticism, Visual &amp; Critical Studies at the School of the Art Institute of Chicago, and the Chicago Architecture Biennial. manifestea was in action&nbsp; from October 21st - 27th, 2017, 12:00pm-7:00pm, at the Chicago Design Museum, Block 37, 108 N. State St., 3/F, Chicago, IL 60602. <img width="5136" height="3424" width_o="5136" height_o="3424" data-src="https://freight.cargo.site/t/original/i/dea5c9aa73907e40ae6024b0012016f5422d6e33635db04a4f1fa059bc16ccd6/_MGL7790.jpg" data-mid="80348952" border="0" src="https://freight.cargo.site/w/1000/i/dea5c9aa73907e40ae6024b0012016f5422d6e33635db04a4f1fa059bc16ccd6/_MGL7790.jpg" /> <img width="5284" height="3522" width_o="5284" height_o="3522" data-src="https://freight.cargo.site/t/original/i/979330454ec9a24d247e7f4623d0b27d86bb9cc93fd2c5ecb527c9b680e93dfb/_MGL7871.jpg" data-mid="80348948" border="0" src="https://freight.cargo.site/w/1000/i/979330454ec9a24d247e7f4623d0b27d86bb9cc93fd2c5ecb527c9b680e93dfb/_MGL7871.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/42ba0113df4cb5ea8b88833cce4d8b8d219b4667a55076594276de7de51fcd18/_MGL7854.jpg" data-mid="80348961" border="0" src="https://freight.cargo.site/w/1000/i/42ba0113df4cb5ea8b88833cce4d8b8d219b4667a55076594276de7de51fcd18/_MGL7854.jpg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/0d55f8fe742e94af6887360b1de3f98fa02aca86cdc486ec6b7c953a864005a1/DSC_0400.JPG" data-mid="80348963" border="0" src="https://freight.cargo.site/w/1000/i/0d55f8fe742e94af6887360b1de3f98fa02aca86cdc486ec6b7c953a864005a1/DSC_0400.JPG" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/3d1ec7704d208c01273edd48b86716e3013dfce3f6e3792b44665032445ba995/DSC_0408.JPG" data-mid="80348964" border="0" src="https://freight.cargo.site/w/1000/i/3d1ec7704d208c01273edd48b86716e3013dfce3f6e3792b44665032445ba995/DSC_0408.JPG" /> <img width="5295" height="3530" width_o="5295" height_o="3530" data-src="https://freight.cargo.site/t/original/i/e44a6107da7847ec8675a20c897a8e73e3866cc4d5ec26d41ce1f07fb93fdde7/_MGL7775.jpg" data-mid="80348949" border="0" src="https://freight.cargo.site/w/1000/i/e44a6107da7847ec8675a20c897a8e73e3866cc4d5ec26d41ce1f07fb93fdde7/_MGL7775.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/b20b23b757dca49d27f13860d6a18f2e0ba367eaa08e3c7f5ab1bac24c711d1b/_MGL7822.jpg" data-mid="80348958" border="0" src="https://freight.cargo.site/w/1000/i/b20b23b757dca49d27f13860d6a18f2e0ba367eaa08e3c7f5ab1bac24c711d1b/_MGL7822.jpg" /> <img width="5288" height="3525" width_o="5288" height_o="3525" data-src="https://freight.cargo.site/t/original/i/cdc5c3d40b54887ca571950af50366450bb72373668a9cd731db8712e6313baf/_MGL7814.jpg" data-mid="80348957" border="0" src="https://freight.cargo.site/w/1000/i/cdc5c3d40b54887ca571950af50366450bb72373668a9cd731db8712e6313baf/_MGL7814.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/7304f16497eb306a9de48f22a53c8db834037ca6bb84301f584c5f6d8085a4cd/_MGL7833.jpg" data-mid="80348959" border="0" src="https://freight.cargo.site/w/1000/i/7304f16497eb306a9de48f22a53c8db834037ca6bb84301f584c5f6d8085a4cd/_MGL7833.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/92a83c2af0bff1224aaf1c0811e13d29ac76cdd04d665e535c551dc1d286208e/DSC_0430.JPG" data-mid="80348966" border="0" src="https://freight.cargo.site/w/1000/i/92a83c2af0bff1224aaf1c0811e13d29ac76cdd04d665e535c551dc1d286208e/DSC_0430.JPG" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/fb91a32102cefb2d15e52540017b1ec50de3acc5fdfa14fadb075d88d60bcdb8/_MGL7797.jpg" data-mid="80348954" border="0" src="https://freight.cargo.site/w/1000/i/fb91a32102cefb2d15e52540017b1ec50de3acc5fdfa14fadb075d88d60bcdb8/_MGL7797.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/f4358160a87341a45e15ea56064ca0b9a7d2bad28bee095628b8c3f3304fe52d/_MGL7840.jpg" data-mid="80348960" border="0" src="https://freight.cargo.site/w/1000/i/f4358160a87341a45e15ea56064ca0b9a7d2bad28bee095628b8c3f3304fe52d/_MGL7840.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/46e8e264fc2e30460b908cdde2fcc71fbf07de11fdcb848248cf5a15ea160c70/_MGL7825.jpg" data-mid="80348947" border="0" src="https://freight.cargo.site/w/1000/i/46e8e264fc2e30460b908cdde2fcc71fbf07de11fdcb848248cf5a15ea160c70/_MGL7825.jpg" /> https://paperbridgeee.info/psychogeographies-info Sat, 22 Aug 2020 23:16:39 +0000 paperbridgeee https://paperbridgeee.info/psychogeographies-info Psychogeographies is an interdisciplinary night of programming exploring the performative embodiment and production of social space occurred on Aug 30, 2019 in Comfort Station Logan Square, Chicago, USA.This project is made possible by the generosity of the Graduate Dean’s Office and the Visual and Critical Studies Department at the School of the Art Institute of Chicago and the Video Data Bank. Updating the Situationist’s eponymous concept, Psychogeographies asks its artists to consider how urban and virtual spaces ought to be reimagined against a backdrop of market-driven surveillance technologies.With the advent of algorithmic feedback loops and the corporate ideal of Smartness, the divide between digital and material is increasingly tenuous.Urban space—synchronized, mundane, and extractive—has become another method of capture. Caught in the interplay of communicative surfaces, we move and labor within a captive landscape. Psychogeography affords a conception of embodied space that moves towards a disassembling of the social. Space is performed-- it does not pre-exist.One creates a psychogeographic map by abstracting the given, subverting its currents, eroding fixed points and hierarchical vortexes.A practitioner doesn’t just proliferate dead zones: they reintroduce new points of entry. <img width="1324" height="2048" width_o="1324" height_o="2048" data-src="https://freight.cargo.site/t/original/i/a2500a4d442b0f04a736097dbe947c46c0a4d4989ec06b722a4e9d799be75e1d/poster.jpg" data-mid="80596041" border="0" src="https://freight.cargo.site/w/1000/i/a2500a4d442b0f04a736097dbe947c46c0a4d4989ec06b722a4e9d799be75e1d/poster.jpg" /> poster by Eliza Chen https://paperbridgeee.info/participants-images Thu, 20 Aug 2020 18:54:39 +0000 paperbridgeee https://paperbridgeee.info/participants-images Featuring live readings and performances by Jess Gaston, Kevin Rogan, Tom Hack, Micah Schippa, Liza, Doug Rosman, Yarrow Woods, Wanbli Gamache, Eliza Chen, Phaedra Beauchamp, +, Lori-May Orillo, Cherrie Yu, Alex Bliziotis, and Alex Karsavin; as well as the commissioned video work of Talah Anderson with music produced by Clément Hallou, and screenings of films by Basma Alsharif, and eteam*. *Basma Alsharif’s O, Persecuted and eteam’s Waypoint, Follow, Orbit, Focus, Track, Pan have been provided through the Video Data Bank.